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Tagged: crime fiction

Heatmap showing the weight of different topics depending on the subgenre 0

Computational Genre Analysis

Introduction Genre is, like authorship or time period, one of a number of fundamental categories allowing authors and readers as well as literary scholars to endow the vast field of literary production with some internal structure. Genre is not specific to literature, of course: whether we consider painting, music or cinema, genre as an intermediary category situated between individual works...

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Does Shorter Sell Better? Belgian author George Simenon’s use of sentence length

Belgian author Georges Simenon is probably most famous for his crime fiction novels in which police detective Maigret investigates serious crimes and elucidates them with intelligence, empathy, a team of inspectors and acquaintances, and, of course, his tobacco pipe as well as sandwiches and beers brought to his office. Simenon wrote 75 of these Maigret novels (and a certain number...

Topic Clustering Dendrogram 0

What’s in my topic model? Or: Clustering topics by semantic similarity

For the last year or so, one my major interests has been topic modeling and applying it to a variety of French literary texts. I have been doing this as part of an exploration of the computational analysis of literary genres in our Würzburg junior researchers group. One of the interesting things to come out of all of this has...

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Stylometry and pastiche. A case study from French crime fiction

When I enthusiastically present literary scholars with the surprising accuracy stylometric methods display in many cases of authorship attribution (given appropriate conditions, such as sufficient material, a certain homogeneity in the genre of the texts, and state-of-the art distance measures), some come up with a clever question: What if one author parodies the style of another author? Will stylometric methods...

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Topic Modeling French Crime Fiction

For some reason I can’t explain, I have had for many years a very keen interest in crime fiction, especially French crime fiction written since the 1950s, roughly. Some of my favorite authors are Léo Malet, Jean-Patrick Manchette, Sébastien Japrisot and Didier Daeninckx. And it is not for no reason that I was drawn to Mitzi Morris’ stylometric murder mystery...

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Enhancement, Transformation, and Zukunftsmusik: Established methods of interpretation transposed into the computational realm.

One of my favorite literary genres is French twentieth-century crime fiction, roughly from the 1930s (Georges Simenon) via the 1950s (Léo Malet) to the 1970s (Jean-Patrick Manchette). This is quite a large area, so one of the things I would like to do, if the state of text digitization and copyright law will permit it some day, is to do...

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A Stylometric Murder Mystery, or: Poetic Justice by Mitzi Morris (Computers and Literature in Fiction, 3)

It is high time to talk about Poetic Justice by Mitzi Morris, the recent stylometric mystery novel I have been promising to write about in my post on Amanda Crosses Poetic Justice, also in the series on Computers and Literature in Fiction. (Sorry for not linking to the place where you can buy the book, but it’s already bad enough...